Be ready for many highs but do not think on 'how is it possible?'. But maybe that's because the entire film runs on a 36-hour-long deadlock. The only thing which bothers is the fact that a lot of stuff happens while you still try to figure out the scene. If you're good with laughter, not logic, Dishoom is actually two much fun. But as an entertainer, Dishoom delivers. Watch the film for its comedy and action. The film is a crowd-pleaser, especially when Saare Jahan Se Achha plays in the background and you need to deal with the goosebumps. Dishoom, however, despite its decent-enough story, doesn't quite make a mark on the mind. At the box office, the film faces no competion for next two weeks and hence it will ensure good returns to the makers. Add to this the star power of John Abraham and Varun Dhawan which will definitely attract the youth. However, the engaging narrative, coupled with rich visuals and high octane action work in the favour of the film. On the whole, DISHOOM has a predictable storyline. For even in a comedy, you can take it seriously and laugh only if it has real comedy in it, right? That is why it is difficult to give Dishoom any benefit of doubt. Akshaye Khanna does bring in a tad bit of fear for a few seconds on his entry into the film, but that doesn't stay too long. No wonder then, that when a bomb is counting down 3.2.1.you can't muster an iota of anxiety. Neither of these mean a thing, right? Varun Dhawan barely makes you smile and for all the grimness John Abraham might muster, you still can't take the film seriously.
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And Varun Dhawan is as comic as a sidekick comic relief usually is. John Abraham is as expressionless as is possible.
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She seemed a lot more comfortable than she has been in her earlier films. Even so the lady makes the most of it, trying to provide whatever variety in expressions as is possible within the limitations of her character. Another reason could be to stand at one place and smile goofily at the characters who pass her by. Especially, in the second half, it looks like she is there to provide some variety in terms of gender. Similarly, Ishkiya's ( Jacqueline Fernandez) existence has no head or tail within the context of the film. For example, a chase sequence on bikes in a theme park has completely no head or tail within the context of the film. A couple of sequences in fact, seem like they were shot just because they were conceived. But within it's genre, it has little head or tail. I won't say that the writers were all over the place because you know there is a lot of things they could've done that they didn't do – like item numbers during the film or slapstick and so on.